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Do you think that you you'd like to make things seem do disappear and reappear? If you can learn how to do cool magic tricks with a coin you will have lain the groundwork for ever greater successes. I have heard through the years that the clarinet is among the hardest instruments to learn to play. Once having learned the clarinet you can move onto the sax and other reed instruments much faster and easier because of skill with the clarinet. So it is with learning how to do coin magic tricks, because coin magic requires the audience to be so close it is considered by many to be harder to learn than other forms thus if you start learning how to do cool magic tricks by starting with how to do coin magic then you will have perfected presentation and audience management by the time you move onto other forms of magic. Don't be discouraged there are plenty of easy coin magic tricks that you can start with.
A crucial part of any act is performing the manipulation of the coin undetected while drawing the audience's
attention to some other location. Normally you will use your empty hand to draw attention away from the hand with the coin still in it. This is easier than you may think and many trainings show you simple and effective means by which this is achieved seamlessly as part of the act. For example during a coin trick you pretend to transfer a coin from one hand to another, while actually keeping the coin in the hand you originally show the coin in. Create misdirection, by making the fingers of one hand appear to close over the coin removing it from the hand displaying the coin, as the fake removal takes place, make a fist of the hand that the audience now believes that coin to be in,while the hand with the coin hangs loosely at your side displayed to the audience; the left hand hangs loosely, as though it were empty.
There are many ways to create misdirection with the hands, however you will learn over time to use body language and verbal clues to take attention from where you don't want it to where you want it. As you study course materials and other magicians you will learn various techniques and be able to integrate them into your act. One way to help over come stage fright jitters and make your act flow seamlessly is to develop a narrative that you can carry on throughout the act. Not only will this help you get on with the task at hand but you can weave cleaver misdirections into your story line. The best thing about learning magic is that you can start where you are and learn as you go at your own pace. The important thing to do is get started right away.
And practice, practice, practice.
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